КНІГІ ОНЛАЙН
Пошук сярод кніг, што прайшлі індэксацыю гуглам. Некаторыя кнігі гугл не знаходзіць
N. Voranau’s landscapes as well as his other works are characteristic of the fine colour choice and harmonious colour combinations. The artist himself stressed: “The important thing is colour which reveals the essence of an event and does not serve for self-expression of an artist”12. 11 Печников, E. Творческие поиски IE. Печников II Литература и искусство. — 1966. — №2. — С. 6. 12 Бадин, Р. Г. Натан Моисеевич Воронов. — С. 8. In the industrial landscapes and cityscapes, N. Voranau masterfully recreated kaleidoscope of contemporary life of Belarusian cities, captured the uniqueness of their image, characteristic features of everyday life, work and leisure of their citizens. N. Voranau manifested his talent, perhaps, in all major genres. From time to time, the artist painted still-lives with pleasure. They are distinctive due to the simple laconic composition but they are always extremely complicated in colour (Roses, 1956; A Sunny Day, 1958; Window, 1964; An Open Window. The Spring Has Come, 1972; September. Sunflowers, At the Artist’s Studio, both — 1973). The master seemed with their help to perfect his skills in seeing the variety of colour combinations in the material world. Making the task more complicated, the artist often painted bouquets against the window. It is known that conveying the effect of counter light (when the source of light makes a silhouette out of an object) is very difficult in painting. There is a danger to “blacken” the painting. However, the master seemed to have no such a problem. He skillfully distributes the tone gradation throughout the canvas, while maintaining the right balance of colour and form. As a rule, N. Voranau put a still-life into the interior complementing the main composition. There is a unique mood and the breath of time in each of the abovementioned paintings. The artists still-lives with tender, smoky and as if melting colours and shimmering, elusive forms are in many ways consonant with interior compositions of outstanding Belarusian artist Stanislau Zhukousky and with the traditions of the short-lived in the early twentieth century association “Blue Rose”. In the painting An Open Window. The Spring Has Come the breath of the fresh, still frosty air that burst into the room is felt almost on the physical level. An uncomplicated composition is built on contrasts of colour and light. In the room immersed in the twilight, all items are painted in the finest tonal nuances. A view of awakening nature looks like a bright accent in the wide-open window. Life is going on there manifesting itself in the already high azure sky, bright sun flecks laying down on the roofs of houses in intricate patterns, branches of still leafless trees, and the dazzling snow beginning to melt. Depicting this view, Voranau put in it all his temperament of the artist, all the rave of colours, of which only he was capable. It seems that even the street noises are heard in the quiet room, where everything is silent... It is in the stilllives by the master that an internal, symbolic and poetic content of art hidden behind unpretentious external forms remains the fundamental part. In his last year Natan Voranau was very ill. He passed away being 61 at the peak of his creative powers. Until the end of his life the artist never ceased to create. Painting for him was akin to a natural human need to breathe. How much more Natan Maiseevich Voranau conceived, how many plans he bore in his heart — it will always be a mystery for us. However, the paintings that the artist left behind are the greatest treasure of Belarusian art. The artist was buried in the Paunochnaye cemetery near Minsk. Works by Natan Voranau are kept in the National Art Museum of the Republic of Belarus, the Museum of Contemporary Art in Minsk (now, the National Centre for Contemporary Arts), in the funds of the Belarusian Union of Artists, in the Museum of the History of the Belarusian State University of Physical Training, in the private collections in Belarus and foreign countries. Natallia Syalitskaya Салігорскі калійны камбінат. 1960 Солигорский калийный комбинат. 1960 Saligorsk Potash Plant. 1960 Партрэт М. В. Трубкіна. 1949 Портрет М. В. Трубкина. 1949 Portrait of M. V. Trubkin. 1949 Асушэнне балот на Палессі. 1960 Осушение болот на Полесье. 1960 Draining Wetlands in Palesse. 1960 Беларусь. За ўладу Саветаў. 1966—1967 Белоруссия. За власть Советов. 1966—1967 Belorussia. For Soviet Power. 1966—1967 Раніца ў Кастрычніку. Мінск, 1917 год. 1955—1957 Утро в Октябре. Минск, 1917 год. 1955—1957 Morning in October. Minsk, 1917. 1955—1957 Мора. Лодкі. 1956 Море. Лодки. 1956 Sea. Boats. 1956 ОН Капітан флагманскага парахода «Руслан» маёр П. С. Букаеў. 1949 Капитан флагманского парохода «Руслан» майор П. С. Букаев. 1949 Captain of the Flagship Steamer “Ruslan” Major P. S. Bukaev. 1949 Памяці аднапалчан сорак першага. 1973 Памяти однополчан сорок первого. 1973 То the Memory of Fellow Soldiers of Nineteen Forty One. 1973 Мінск. Плошча Перамогі. 1964 Минск. Площадь Победы. 1964 Minsk. Peramogi Square. 1964 Шахтабудаўнікі Салігорска. 1961 Шахтостроители Солигорска. 1961 Mine Builders of Saligorsk. 1961 Партрэт брыгадзіра I. П. Чабатара. 1960 Портрет бригадира И. П. Чеботаря. 1960 Portrait of Foreman I. P. Chebatar. 1960 Завод жалезабетонных вырабаў. 1960 Завод железобетонных изделий. 1960 Concrete Product Plant. 1960 Партрэт В. А. Зяцевай. 1963 Портрет В. А. Зятевой. 1963 Portrait of V. A. Zyatseva. 1963 Алея ў парку. 1958 Аллея в парке. 1958 An Alley in the Park. 1958 Нацюрморт. Кветкі. 1956 Натюрморт. Цветы. 1956 Still-Life. Howers. 1956 мквк Партрэт дзяўчыны. 1954 Портрет девушки. 1954 Portrait of a Girl. 1954 Партрэт драматурга Я. С. Рамановіча. 1967 Портрет драматурга Е. С. Романовича. 1967 Portrait of Playwright Ya. S. Ramanovich. 1967 Партрэт артысткі Т. М. Пастунінай у ролі Марфы з оперы «Царская инвеста». 1956 Портрет артистки Т. М. Постуниной в роли Марфы из оперы «Царская невеста». 1956 Portrait of Performing Artist T. M. Pastunina as Marpha in the opera “The Tsar’s Bride”. 1956 Акно. 1964 Окно. 1964 Window. 1964 Акцябронак. 1961 Октябренок. 1961 A Little Octobrist. 1961 Аўтапартрэт з дачкой.1956 Автопортрет с дочерью. 1956 Self-Portrait with the Daughter. 1956 У майстэрні мастака. 1973 В мастерской художника. 1973 At the Artist’s Studio. 1973 У чаканні зімы. 1973 В ожидании зимы. 1973 Waiting for Winter. 1973 Адчыненае акно. Вясна прыйшла. 1972 Открытое окно. Весна пришла. 1972 An Open Window. The Spring Has Come. 1972. Мінск. Інтэрнацыянальная вуліца. 1949 Минск. Интернациональная улица. 1949 Minsk. Internatsiyanalnaya Street. 1949 Марыначка. 1956 Мариночка. 1956 Marynachka. 1956 У цені. 1939 В тени. 1939 In the Shadow. 1939 Перад дажджом. 1973—1976 Перед дождем. 1973—1976 Before the Rain. 1973—1976 Вясна прыйшла. 1963 Весна пришла. 1963 The Spring Has Come. 1963 Партрэт мастака А. С. Бархаткова. 1955 Портрет художника А. С. Бархаткова. 1955 Portrait of Artist A. S. Barkhatkou. 1955 Поўдзень. 1959 Полдень. 1959 Noon. 1959 Поўдзень. Партрэт даяркі В. А. Міхайлоўскай, ветэрана працы. 1975 Полдень. Портрет доярки В. А. Михайловской, ветерана труда. 1975 Noon. Portrait of Labour Veteran Milkmaid V. A. Mikhailouskaya. 1975 Лён.1956 Лен. 1956 Flax. 1956 Поўдзень. 1958 Полдень. 1958 Noon. 1958 На лініі. 1972 На линии. 1972 On the Line. 1972 Цікавая кніга. 1954 Интересная книга. 1954 An Interesting Book. 1954 Беларусь — мая песня. Партрэт 1.1. Жыновіча і В. А. Бурковіча. 1970—1971 Беларусь — моя песня. Портрет И. И. Жиновича и В. А. Бурковича. 1970—1971 Belarus Is Му Song. Portrait of 1.1. Zhynovich and V. A. Burkovich. 1970—1971 Партрэт Янкі Купалы. 1972 Портрет Янки Купалы. 1972 Portrait of Yanka Kupala. 1972 «Сонейкам цёпленькім, зеленню вабнаю абдаравала зямельку вясна». 1972 “The Warm Sun, the Inviting Green Has Presented to the Land Spring”. 1972 Спіс ілюстрацый Старонка СПИСОК ИЛЛЮСТраЦИЙ Страница * Page List of illustrations 43 Салігорскі калійны камбінат. 1960. Палатно, алей. Солигорский калийный комбинат. 1960. Холст, масло. Saligorsk Potash Plant. 1960. Oil on canvas. 44 Партрэт M. B. Трубкіна. 1949. Палатно, алей. Портрет М. В. Трубкина. 1949. Холст, масло. Portrait of М. V. Trubkin. 1949. Oil on canvas. 45 Асушэнне балот на Палессі. 1960. Палатно, алей. Осушение болот на Полесье. 1960. Холст, масло. Draining Wetlands in Palesse. 1960. Oil on canvas. 46-47 Беларусь. Заўладу Саветаў. 1966—1967. Палатно, алей. Белоруссия. За власть Советов. 1966—1967. Холст, масло. Belorussia. For Soviet Power. 1966—1967. Oil on canvas. 48-49 Раніца ў Кастрычніку. Мінск, 1917 год. 1955—1957. Палатно, алей. Утро в Октябре. Минск, 1917 год. 1955—1957. Холст, масло. Morning in October. Minsk, 1917. 1955—1957. Oil on canvas. 50 Mopa. Лодкі. 1956. Палатно, алей. Море. Лодки. 1956. Холст, масло. Sea. Boats. 1956. Oil on canvas. 51 Капітан флагманскага парахода «Руслан» маёр П. С. Букаеў. 1949. Палатно, алей. Капитан флагманского парохода «Руслан» майор П. С. Букаев. 1949. Холст, масло. Captain of the Flagship Steamer “Ruslan” Major P. S.Bukaev. 1949. Oil on canvas. 52-53 Памяці аднапалчан сорак першага. 1973. Палатно, алей. Памяти однополчан сорок первого. 1973. Холст, масло. То the Memory of Fellow Soldiers of Nineteen Forty One. 1973. Oil on canvas. 54 Мінск. Плошча Перамогі. 1964. Палатно, алей. Минск. Площадь Победы. 1964. Холст, масло. Minsk. Peramogi Square. 1964. Oil on canvas. 55 Шахтабудаўнікі Салігорска. 1961. Палатно, алей. Шахтостроители Солигорска. 1961. Холст, масло. Mine Builders of Saligorsk. 1961. Oil on canvas. 56 Партрэт брыгадзіра I. П. Чабатара. 1960. Палатно, алей. Портрет бригадира И. П. Чеботаря. 1960. Холст, масло. Portrait of Foreman I. P. Chebatar. 1960. Oil on canvas. 57 Завод жалезабетонных вырабаў. 1960. Палатно, алей. Завод железобетонных изделий. 1960. Холст, масло.